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Bet you guys never thought you would see me again. (Or wished. either way.) No one was called "Hedges" which was unfortunate at best. I'm the only member who still pursues music (As far as I know, maybe Stefan & Benson are still about). to put things straight for all the members who thought the thread was cruel, Don't, It gave me the kick up the ass I needed. For all of you who found and still find it funny, go ahead, Everyone is stupid when they are 15. (Fuck I chuckle at the myspace & thread every now and then). I will say I was genuinely that stupid as to not understand the sarcasm that was blatantly happening in that thread. Anyway I just popped in to say I hope you're all doing well for yourselves and thank you. I probably wouldn't work as hard as I do now if it weren't for you lot taking the piss. ~Have fun, Steve.

Man reading this has made me properly nostalgic. I think my early 20s, (i.e. 2002-2007) was the most enjoyable period of my life - mostly as a result of the aberdeen music scene and this site. Particular highlights were the 2 Balmedie wasteland BBQs (well I went to 2, there may have been more), and the wasteland Paintballing day out organised by Jason. Love the fact that you could just turn up to any gig, or Moshulu on a friday on your own knowing full well you'd know everyone when you got there. Myspace somewhat ruined things, and started to make this place a little redundant, or at least less apperciated - because having random kids from USA like your band photo became more important than writing the best songs you could and playing Lava/Kef ("4 local bands... £8 please") 400 times until you were actually not a totally shit band anymore. 'Real' bands music was less pro-tooled* as well so everything sounded a bit more unique back then, with all its imperfections and individual production/performances. As much as I still absolutely love listening to, writing and playing music these days - it meant so much more back then, and you could attach it to real memories and experiences. I'm happy with how my life turned out, but even when a great new album comes out it's not the same when the event I attach it is driving to my work place of 11 years, doing the weekly shop, watching something on netflix, and then going to bed at a semi-reasonable hour. Memories. * And I say this as a massive fan and avid (arf) user of pro tools for ten years now.

Confession - After living off Paisley Road for three years I'm no longer a Rangers fan. You were all right, they're a bunch of total cunts. I'm moving back to Aberdeen shortly.

I e-mailed the council about something last week. Then yesterday, the person who responded to my e-mail (accidentally) included me in a non-work related e-mail she was sending to colleagues, possibly to another person with the same first name as me, and Outlook auto-completed it as it often does. Long story short, I ended up with an e-mail full of pictures of Fiona the Hippo

On a par with this:

Last night I arrived late at Krakatoa's BBC Fringe night. The Inevitable Teaspoons were already on stage and after a few minutes I was thinking they had a really good drummer. Then I noticed it was Chris who used to be in the Malpaso Gang. The band were very well rehearsed with none of that annoying tuning up between numbers. They unusually featured a trombone player and together with a sax it made for a big sound from this five piece band. Their set went down very well with a large and appreciative audience. The last band featured in this BBC showcase was The Malpaso Gang who were featuring their new femme singer, Eilidh Connolly for the first time. Eilidh showed no sign of nerves and confidently sang great as if she had been with them for years. Well done Eilldh. The whole band are very tight and Abermusic- member Flaneur played some great some great guitar solos. Their 'hot number' Tabasco has benefited from great national publicity over the last couple of months and last night was no exception with the audience joining in the Tabasco chorus. I expect much more success for the Gang. Flashes' enterprising Krakatoa venue has another BBC Fringe night this Friday 25th May. Best not to miss it.

I love how the natural measurement of cost of living to Scottish people is the cost of a pint. Never fails. "Went to Namibia on safari... saw lions and elephants... water buffalo quenching their thirst at an oasis as the sun caressed the horizon" "good aye?" "fucking magic... 50p a pint!!"

I had one of the most surreal moments of my life involving mumble rap. I'll keep it brief. Actually, it's not that interesting but whatever... Me and the missus bought a new car a few months ago. First day we got it we took a drive to the seaside, just for a rekkie. Went to a town called Long Beach on Long Island. About 40 minutes from NYC. Parked up and walked along the boardwalk. A few hundred yards up the boardwalk we see this huge crowd of people kinda all swaying together in sync. Talking like 200-300 people. We thought it was some demonstration or... dunno flash mob or something. As we get closer we see the nick of some of the people. Lots of face tattoos and day-glo clothing and vape clouds and they were all rapping the same song. Turns out we had walked straight into Lil Peep's funeral service. Stayed for a bit, saw a kid jump off the boardwalk and break his ankle, got ice cream, went home, googled Lil Peep.

The above breakbeat thing became an EP/double A-side whatever, and the excellent Sun Hole Records has released it. Its a cool pay-what-you-want digital release label, but there's a ton of great stuff on there, if horrible electronica noise is your bag. https://sunholerecords.bandcamp.com/album/shr048-hospitals-manufacturing

Nina is renton's cousin who he tries to chat up if I am not mistaken. It has a central story line which has ended when Renton run away to Amsterdam. The book is amazing and made me to think a lot . I know there is also a movie but unfortunately they made it worser that I have expected. I used to write the essay which is connected with this book but my vocabulary list and correct grammar sentences are not pretty acceptable, so I just simply used the site https://www.essayskills.com/ where I bought the essay and get the good mark of my subject. I still have to improve myself to write quality essays without any help but at that moment it was inevitabity. Wish you good luck. Hope you would write it in a perfect way.

Have enjoyed this thread! My time involved in the scene was 2000-06 probably, but especially the first couple of years of that spell when I still lived in Laurencekirk and the next two when I was in Glasgow for Uni. Playing and attending gigs in Aberdeen was a huge part of my formative years and I thought nothing of going up to watch a midweek gig in Aberdeen in my school days, catching up with a room full of people who all loved the same things, getting tanked up and going back to school the next day. The variety was massive as well; we played gigs with a load of bands who were totally different to us (from the many pop punk bands to some heavy bands like Bodies, Risactonia and of course Black Atom who we shared many stages with). There was an awesome cameraderie in that era. Bands helped each other out, stepped in to support irrespective of genre or perceived level of popularity and just generally enjoyed each other’s company. I dearly dearly miss those times. A lot of the things I went on to do (stand up comedy, after dinner speaking, MCing etc) were natural follow-ons from being in sage with FeSTR and while I never had another band where I captured the same feelings of togetherness and shared purpose, playing music continued to be a big part of my life for around ten years. Getting back into jamming with the boys Orr the last nine months has been a great catalyst to reminisce on this era and it’s been lovely. This website was massive for me too. It was a source of entertainment, friendship and handy for finding out in one place what was going on. My involvement in the scene pre-dates it too. I can’t explain the excitement of logging on via dialup and going to the Fudge and AUBL bravenet message boards (each board had the same url but with a long number at the end differentiating it and I knew these off by heart because I was on so often) to see what gigs were coming up and what people were saying about the gigs we’d played. Some of the banter on here was huge as well. The Thong Song had me in tears on the bus, the ‘not headlining, just playing last’ nonsense, the main present debacle (still being justified a decade in!) the Big Bastard posts, Ben winding everyone up. Jamesy vs Scorge. Some stuff that’s got me laughing even typing it! The Stripey era was a funny one because it let me really refine my trolling of him from a formerly impassioned place to a much more distant poking, and while he brought a different musical perspective, the fact is he was just a cock. The laughs, the friendship and the memories all add up to a lot. Thanks to everyone who kept this place alive and made it possible for all these years!

And all whilst recording the most consecutive appearances in the English Premier League. Impressive.

Brexit going really well.

Hey man, thanks (I think!?) for all that - not quite sure if it was questions or statements, but I'll do my best to clear up as much as I can - and hopefully in a manner that is constructive to this thread rather than just banging on about myself. And yes, Dan G/Dan Weapon/Dan Atom are all one and the same...although I'm sure the even older residents of this board will more fondly remember me as Dan Loaded (my first band)! And Cloud I presume? And yes, I still reside in Aberdeen many years later. I'll give you the horse's mouth abridged history of the band throughout my reply if you were interested (or even if you weren't haha). Firstly, thanks man, and in hindsight I'm super glad we did those videos - a fantastic keepsake as much as anything! I'm also not hugely embarrassed by them, which is nice 10 years later. Also the Kokura video was shown on MTV2's headbanger's ball which although means nothing in the scheme of things was awesome for me and Ben on a personal level as we'd grown up with that show. I slightly disagree in that no one gives a fuck about music videos though...whilst that's true as far as TV channels, streaming on youtube (and spotify etc) is valuable these days. Anyone can knock up lyric videos, but I'd always far rather watch a professional performance/concept video. Streaming wasn't a consideration back in 2008 when we did our videos though - we just wanted to look as pro as we could, get our music out there in a different medium, and do what bands we respected were doing! Hahaha "Discourse and indecision", but yes it did sounds like 'Tescos' . Not sure which guitarist you were referring to, but assuming you meant Jamesy? He sort of left on mutual terms, but in fairness was more ‘persuaded to leave’ rather than decided to leave himself. Jamesy started the band and was absolutely the driving force behind MMW in the early days - he got us so many quality support slots, tours and was generally the fire behind it. I never had any intentions of ‘making it’ and all that – I just liked playing guitar and hanging around with mates – but Jamesy had real drive and point to prove. However he’d be the first to admit he wasn’t the most gifted/technical guitarist. He also wasn’t that into metal and his initial vision was more of an emo/screamo/punk band, but Nick and I were far more into progressive metal, which is what it eventually became musically. By 2005 Jamesy was far more interested with his work at Moshulu putting on gigs (he entirely stopped playing guitar in that Summer) and we realised we weren’t going to get any better if this continued, so parted ways. He often wound people up (both inside and outside the band!) but I believe his heart was always in the right place, and he had ambitions far beyond what anyone else in the Aberdeen music scene had. Or at least he tried harder to make them come to fruition. Ben leaving was an entirely different matter. It’s unfair to air it in full in public, but essentially he quit after having a minor disagreement with Nick that was completely unrelated to the band. They made up a couple of days later, but I think Ben was too proud to ask to rejoin, and we figured this was our opportunity to replace him with someone better. I remained good friends with him at the time, but like you say our biggest criticism was the vocals so we saw it as the opportunity to improve with our second album. At this stage Scott Bowden was playing bass, and we were the tightest we’d been...me, Nick and Scott had some real chemistry. I was writing some really tech prog-thrash at the time and believe we could have done a killer second album if we found the right singer. That was not to be however, as we couldn’t find (or didn’t try hard enough) to find a replacement, and I was taking way too long to write new material. If Ben had never quit, I reckon we’d have continued the band for another 5-10 years, though I doubt we’d have gone on to ‘achieve’ that much more than we did. Ah, good old Ben - AKA Ben Quik, Bladeola, Highroller, Wolf.biker and a few other guest accounts after his various bans. Ben was never the best singer/screamer in the world, but I think at the same time he got the most amount of abuse on accounts of his online antics. And to be fair he really was an arse on here – but goddamn it was hilarious. I’ve re-read so many of his 12-15 year old, uh, ‘discussions’ and every facet and flaw of his personality is laid bare on this site in some form. You don’t need a degree in psychology to see that he just needs to be loved; he’s got a very fragile ego, insecurity issues that rear their head as arrogance, he struggles with criticism and has a startling lack of self-awareness. The latter was especially transparent when he’d come on here using an anonymous account pretending not to be Ben and getting busted by everyone 2 posts in. He was a good friend though. He did so much for the band, and was a hard worker… he bought his own mic(s), drove the band everywhere, put in a shift loading gear, was great at helping out and getting on with other bands – and in reality/on tour/offstage he almost never displayed any of the prima donna bullshit that singers often do. Given his on-stage and online persona, I’m sure people who never met him imagined him to be an absolute twunt, but that wasn’t the case at all. My view on the whole Scorge/Jake arguments is this: I've never really been one to attack other people unless provoked or attacked myself. Ben used to wind up Scorge/Jake and vice versa, which would lead to those two slagging off MMW and therefore me - so I'd jump in and take the piss/argue back (although I only went for personal insults... I don't think I ever ripped on Spike Pile Driver as a band even once, as for one I always liked Hog). Essentially they constantly called the music I'd written fake, image-based rinky dink pop music, with no credibility or integrity etc. I took that pretty personally given anybody that knows me is aware that a) I've spent 1000s of hours of my life practicing the guitar/writing songs, and b) I never had any desire to achieve anything in music beyond having fun. It just so happened that the music I wrote for MMW ('Metalcore' if reduced to its simplest form) became popular, and as such we got lumped in with a trend. But I'd been writing In Flames and Killswitch style modern metal stuff in Loaded circa 2001-2002 before it became the fashionable thing, and many years later the music I write and listen to is much as it was during the height of metalcore's popularity. One of the reasons I'm still proud of our album is because ten years on I don't think the majority of it has dated badly... sure there are metalcore breakdowns, but there are also loads of proggy time signature/key/tempo changes, guitar solos, synths, pre-djent meshuggah style grooves etc. Not just drop-C open riffs with a floppy fringe bollocks. Regardless of whether it was good or shit, it was a real honest bunch of songs that featured all our influences chucked in a blender! John Browne you mean? I know him well-ish... we toured with Fell Silent (his pre-monuments band) circa 2008 as both bands were signed to Basick records and had just put out an album. He spent most of the tour in our van, and stayed at my folk's house with us rather than the rest of his band. Funny-ish story - we gave him a bit of a metal schooling by playing Dream Theater's 'Metropolis pt 2' and Pantera's 'Far Beyond Driven'. He'd never really heard DT, and in tour van chat he said he didn't think Pantera were good... naturally we told him how incorrect he was, and got him to rescind his comment playing him 5 minutes Alone, I'm Broken etc. I'm pretty sure these days you'd hear him say how Petrucci and Dimebag are legends/big influences haha. Incredible rhythm guitarist these days to be fair. If I said it like that, then I regret it if I was mocking him... I can't really remember it but I totally stand by it! In fact I bought my first 7-string a year or 2 back. It's currently got the normal 6 string tuned down 3 semitiones to C# standard, with the 7th string tuned to F# (so it's like a drop-D relationship between bottom 2 strings). That's as low as an 8 string, but without the hassle of an extra string and hardly sacrificing any high end. You could get far better value for money on 7s rather than 8s back then, so unless you were a total virtuoso I reckon 8 strings are highligh unnecessary. Can't remember that Meshuggah quote but I've always really liked the band - especially Destroy Erase Improve and Chaosphere (I was ripping off that album for my own band Loaded back in 1999! Albeit artistically rather than musically...). If I was making a point about them, I imagine it was more that their riffs aren't necessarily finger gymnastics but complex in other ways. If you are genuinely interested I can tell you more about exactly why we didn't go full time and why there were further line-up changes... I've already gone on for so long though so will only continue if requested to do so! I honestly don't think I was ever really one to run my mouth or be an arrogant twat about the band (happy to be disproven with evidence if anyone cares enough) apart from the aforementioned flamewars with various members of Spike Pile Driver and Ascension. Funnily enough that mostly all stopped once we did that charity show for Hog and certain people were found to only be able to talk the talk, but not walk the walk... but let's not go there And don't worry - wondering what might have been really doesn't torture me at all! I picked up a guitar purely to play my favourite bands riffs, and I joined bands to hang out with my friends. I never, ever set out to do anything more than that.... but even by achieving very little (by other people's standards) MMW achieved things on a personal level that I could never have dreamed of! We had a vid shown on MTV, played the SECC twice, supported numerous of my all time favourite bands, were signed to a great label and released an album that you could buy from any shop... to name just a few. But far more importantly, had an amazing time with good friends, plus making so many more good friends/memories.

Krakatoa and Drummonds/Tunnels have to all intents and purposes stopped being venues for anything that isn't a tribute act or battle of the bands. There are still promoters around - we put a show or two a month on, and we generally get enough people in to pay the bands and keep a float for the nights we run a lil bit short. My experience, the scene in Glasgow isn't any better than the scene up here, it's just bigger with more bastards in it. We're putting on gigs down there ourselves now to save dealing with said bastards. I'm too old to care about making it, so I'm quite happy that the big boys from London aren't cutting about Aberdeen. Would be nice to get a venue the size of Downstairs back on the go, we're kinda missing that more than 50 but smaller than Tunnels kinda room.

RRP

Getting shot of all forms of social media has been pretty ace-ic. Between the FBI manny looking through your laptop camera, Zuckerberg selling your data and the whole fake news thing... it's all getting a bit toxic. Was never a rabid facebook user but would idly scroll through most days. Don't miss that site in the slightest. Twitter was good for football stuff and the occasional lol but too many annoying opinions I really didn't want to know about kept popping up no matter how hard I tried to suppress them. Instagram is fairly harmless but its still a time suck and no matter how casual you are with it, you're still chasing that like-dragon. Only thing now is... noone talks to me anymore. Don't have fb messenger or instagram messages so I get nae memes or invites to social gatherings. ...It's bliss.

Nostalgia fun pack

Anyone remember that dude Peter Dow?

The Deportees celebrated the release of their new "Birth of Industry" CD with a party at Dunbar Hall in Old ABerdeen. The evening got off to a good start when I was greeted at the door by one of the stars of the evening - Adam Morrice himself. I have seen the band on several occasions recently but this set was much tighter than before and very professional. The band are now a six piece and newbie drummer Duncan Dallas played well and fitted in perfectly - in other words he was a little more restrained than his usual exuberant self. The band's music is hard to categorise as it varies so much from number to number. I liked the Adam Keenan composition "A Single Truth" the best but the whole evening went over well and was met with rapturous applause. This special CD launch party was attended by a huge crowd and each person went home with a copy of "The Birth of Industry." I had never been in the Dunbar Hall before but it is a very good venue. And a last word of praise for the sound - the audio mix was absolutely perfect - well done, the tech people are often forgotten but can make or mar an event. And well done to The Deportees this new release has been a long time coming but it should do very well.

It's my favourite Conan thing by far. I always thought they were aaaaalright but adding that handful of Fast Bits stops it feeling as much of a slog to get through than the old stuff could be at times. I'm listening to Capdown because it's 2006.

Aye. Good stuff, min.

Because it had been a week...

It depends on whether your temporal logic is based on a relationist or an absolutist position. If you are to accept the notion that 'time does not exist without change' - as Aristotle argued - then 'evening' may be observed as starting only in relation to the end of 'afternoon'. In other words, one could not impose a pre-determined start time for 'evening' , instead only describe it as occurring when 'afternoon' has elapsed. On the other hand, a Newtonian analysis would dictate that time exists independently of the objects or actors within. That is to say '5 for 5:30'

If it's any consolation, I'd find them toe curling now too. I always thought the SPD/MMW back and forth should be more of a grandstanding online pantomime than anything else, but it occasionally got out of hand and the line got crossed. I never recall any cross words in the 'real world', I don't think. In all seriousness, what Dan has said about MMW reads like a good example in what happens when you have a plan, but have to confront a 'going pro' threshold and make a choice either way. (we chose a rather different direction/methodology, of course)

Welcome to the forum. If you're not looking for excitement, you've came to the right place.

PROPAGANDHI - the albums Supporting Caste, Failed States & Victory Lap Propagandhi are the best punk band of all time imho - I say that as someone who comes from a metal back ground too. Great songs, super technical but never unnecessarily flashy/wanky, and incredible lyrics. They are probably the only band other than Tool whose lyrics I REALLY make a point to listen to and analyse.

They're Japanese but are named with a Swedish word and sing in broken Swenglish. That's punk.

Soda Jerk is right - Mush is best and those things are good but here are some more things anyway. War On Women are angry at us all and with good reason too. Gnarwolves say they're a gruff skate punk band and who am I to argue with that?

Let's try and keep Peter Dow away from this thread, at least for the moment.

SGs are the best guitars on the planet. Y'all can do one. I'd buy another SG if I could afford a SG Junior, cos Euroboy's one looks fucking sick in this... Unfortunately I don't have a spare £1200.

Just watched that doc on Jake The Snake. I'm sure Lemonade has mentioned it before. It's difficult to watch at times. Just when you think Jake is a wreck, Razor Ramon rocks up in a wheel chair looking closer to death than Jake does. When they do the crowdfund for Jake's medical bills for his shoulder, and he realises how many people are rooting for him, man, I think had something in my eye. Spoiler alert... At the end, Jake looks about 10 years younger, and they lived happily ever after. Good watch. DDP is a good egg.

Still a ripper. Seeing them tonight, supporting TRIVIUM and Code Orange. It's going to be filled with dickheads. Can't wait.

PM's. I remember those. The days of putting up a thread asking for band members, and the excitement of getting the PM pop up when you next logged in, and you'd spend a few weeks planning when to jam with them as it would take them a week to reply with something really vague and unhelpful, then you'd cart your stupid heavy Marshall head down to Captain Toms on foot like a lunatic, you'd stand outside for ages and they wouldn't show up and you'd have to pay the £30 for the room yourself because you can't do a runner because your amp weighs more than you do. Those were the days. PM's!

Aye, 2 years ago, you fucking chonger.

Great to see fuck all happening on the forums for decent stretches of time again. Good work, boys.

I just also read the Star Wars and the fantasy/sci-fi debates above. Also just don't get the mania for Star Wars. I saw bits and pieces of the originals in the early 90s on my rich mate's (dad's) big TV, so got some idea of the scale of the forest hoverbike waterthefuck chases, and a sense of what it might've felt like to see that in a cinema in the, uh, 70s? I've since seen the original 3, the first 2 prequels; don't utterly dislike them; but don't get it. I saw the Battle of Hoth named as "no.1 sci-fi battle" on WatchMojo (I think) recently in addition to I think the Battle of Endor and (although I instantly thought opening scene of Terminator 2, even if too short; which nevertheless got in there, so kudos for that) I went and watched both and mostly just laughed. The ATAT walkers are just fucking stupid... the tactics Luke uses to take down 2 single handedly is why having a talk on stilts is just a terrible idea. The scenario (flat wasteland all around, can see anyone coming) is the one place where fielding these would be less than suicidal, with the raised turrets/cockpit being useful for firing down into enemy trenches (but then if one has aircraft, just use that). But they had the balls to then call it "all terrain". And when I watched the battle of Endor (the forest, Ewoks one, anyway), there are only two-legged walkers: reading the comments, I saw someone ask why there were no ATATs. The answer is of course is that these ("all terrain") vehicles can't operate in a forest... Star Wars pew-pew effects (while doubtless impressive when it came out) are just way to close to Sindbad the Sailor than to something believable today. My favourite sci-fi movies are both Terminator and Alien(s) ones (yes, there are only 2 of each respectively; don't watch or play anything past the first sequel - basic life skill), as the effects still almost entirely hold up, while it still feels legit and scary (a Terminator is scary, but you can kinda see/guess what it can and can't do, and thus is believable and thus scary). With yer current typical superhero blockbuster, guys in spandex are flying around throwing/punching each other through buildings, with the building collapsing (helps sell tickets. I guess) but the other guy just gets up. So it's ludicrous, and yes these aren't necessarily sci-fi, but it, in any case, leaves one just bored and waiting for the dues ex machina of the bad guys Achilles' Heel. With sci-fi, I (though hardly just I) think there's a spectrum of fantasy films in space (Star Wars falls closer to this) to "harder" sci-fi where you have a mix of existing technology and tech that is projected or hypothesised and/or hasn't been disproved. And the everything in between. Fantasy: Game of Thrones isn't Lord of the Rings, or anything like it. I loved LotR when I read it around 13-14, and loved the films as they subsequently came out. Right up until Frodo/Wood explains with joy: "the eagles are coming!". I watched a few clips recently and it was pretty naff (borderline embarrassing) at a time when everyone's seen GoT. (although tbf: Tolkien had day jobs as a pro linguist, invented his own languages, and then thought what the hell, write some stories to have people use those languages. He'd written The Hobbit, but he couldn't have known how massive the intended sequel - which would be LotR - would become, it terms of size, scope and influence. The invented languages I think/hope also are the reason for the weird dialogue). Anyway Game of Thrones: better idea of what GoT is intended to be would (e.g.) be the novel Pillars of the Earth (I think that's the title). It's "historical", not fantasy, but is really about looking at England in the Middle Ages from all angles and perspectives (knights, tradesmen, merchants, farmers, aristocracy, clergy, etc.) This is mostly what GoT is about, except that the 2-continents fictional world allows juxtaposition of Middle Ages Europe (Westeros) and (in Essos) the Classical ad/or ancient (pre-Rome or maybe pre-Greco-Roman) Med (both would've been a match for each in the real world, despite the temporal distance: bloody Dark Ages and Christianity...). Martin, who wrote the novels, has said that he wanted magic to make it fantasy rather made-up history, but that he wanted it used only sparsely (in a nod to Gandalf, who can fight a demon to mutual destruction or remove curses from individual people; but if there's an army in front of him, he needs to be in an opposing army and sit on his horse like a regular person). But my beef with the magic in GoT is I tend to to see it as an excuse for deus ex machina, with exception of dragons and (with a few quibbles) the White Walkers: one can see that these are coherent in how they work, even if their motives are unknown. Other magic just seems to pop up to land a plot twist. Anyway, all that above I think is why people who don't like more trad fantasy nevertheless love GoT (I'm included in both those). /unplanned wowfuck essay

Best thing about Jake's main present meme was the fact you can tell he didn't even think twice about it, like it was totally normal for a grown adult to get one.

the forum organised 5*-a-side football games of the summer of 2010 *2 to 7 a-side

At least he'll have some assistance ascending the stairway to heaven.

It was a thread previous to this that actually led to us booking Estrella, I recall Laura and myself figuring that a band would have to be really good to inspire this much jealousy and derision on here, and we weren’t dissapponted. Yes the music was unfashionable, but fuck me even back then they were tight, had their sound figured out, and put on an excellent show. The diversity of, and depth of talent in, the local music scene back then was truly something to behold!

...And on Thursday, Friday and Saturday, we chilled on Sunday

THE MALPASO GANG "Twenty Golden Greats" review by Graham Knight This whimsically titled new CD from The Malpaso Gang is simply excellent. Over the last few years The Malpaso Gang have been garnering quite a reputation in the North East of Scotland for a sound that is deeply rooted in 40's and 50's country. No live Gang show is ever complete without a lively version of George Jones' hit White Lightning but The Gang always included several numbers written by the members themselves. This new CD has no copy-cat covers and all the material is entirely original. The first track is titled, "El Paso" but it has no connection with the Marty Robbins tune with that name but it still has a feeling for life on the Rio Grande. "Back of You" was written by Dusty Valentino and Nina Eggens and has nicked a few bars of You Are My Sunshine at the beginning but is one of the best tracks on the CD. Nina's vocals are particularly clear. The third track, "Tabasco" will be familiar to everyone who has seen this six piece band in action. It has become something of an anthem for the band and always has the crowd leaping about at shows with the audience joining in the chorus of "Oh Oh Tabasco". Great fun and a great number. "Dead On The Road" tells a woeful story that features some good vocal harmonies and excellent steel guitar. "Whatever" has a lively piano style intro that is used to good effect. A different steel guitar is featured on this track as well as having the whole band joining in the singing of the chorus. The sixth track, "Call It A Day" has Nina singing typical torch song lyrics about a break up between two lovers. Track seven, "Not My Style" bemoans the fact that country girls don't go for the big money attractions of Monte Carlo. Great guitar and drumming on this number that features a solo for each "Gang" member. "Travellers Blues" is another tune that always gets a good reaction at the Gang's live shows with a superb vocal by Nina. The final number is a tour de force by the whole band and Nina fairly spits out the message "Stop Talking - Start Walking". Interesting use of tacets and this track finishes a great CD in first-rate manner. The whole CD has great drumming and perfect bass and all six "Gang" members have done well to produce such a fine CD that showcases all their talents. The sleeve notes have to be seen to be believed and the picture by Rolling Stone Magazine's Annie Leibovitz is quite incredible. The CD follows in the tradition of recordings made in the fifties at RCA's Studio B in Nashville. These current state of the art recordings were made with the help of Calum Farquhar and Johnny Lees of Aberdeen's ultra modern D-Range Studio. I thoroughly recommend this CD.

I've been slogging away with the Cleansing the Commonwealth type missons for a while now, avoiding the storyline.... Trying to keep on top of all my settlements, bu tone day I'm just going to fucking burn them all down and murder everyone in their sleep for being such useless cunts.

Another total fucking banger. "Men with millions and hearts as dark as the skin they fear and the cars they park" is one of the best lines I've heard in a good while too. Fuuuuuuuck aye. xx

Pet hate: cereal killers.

The missus just said to me 'oh that fucking Charles Manson is dead thank god' I replied 'thank god indeed, he was on my celebrity death list' before doing a mini fist pump.

I wish I was prevented from entering this thread

Without trying to sound too rude; I don't think anyone here gives a fuck.