Jump to content
aberdeen-music

Amp selections.


feeble!

Recommended Posts

Ok, I'm downsizing and upgrading my amp. I currently have a 50w beast of a peavey, and as much as I love the old ox (and it is old) I don't like the shitty sound it gives out on a lot of occasions.

I don't gig or play in a band either, so the 50w seems a bit excessive, I never turn it up past two and it's too big for my room really.

So, I'm going to be buying a new amp.

Fender or Marshall?

I'm looking to be buying about 30w

It's gotta look cool

Price range is about 180

Any advice? So far the competition is between a fender champion 30 DSP and a marshall mg 30 DFX.

Any useful comments would be great, has anyone bought either of those amps and thought they sucked or whatever?

Feel free to let me know.

Link to comment
Share on other sites

Please stay away from the Roland Cube or Zoom practice amps, they wreak of cheapness. I had the displeasure of using both in Bruce Millers while testing guitars. If you stretched your budget -

Line6 Spider 2 112 225 from www.gak.co.uk

...that's going to be a very versatile amp for the money.

tn_456.jpg

12 amp models that deliver a complete range from Clean to Insane

7 Smart Control effects (up to 3 simultaneous) including Tape Echo, standard Delay, Sweep Echo (all w/Tap Tempo), Chorus/Flanger, Phaser, Tremolo and Reverb

4 User-programmable channels

Built-in front panel Tuner

Headphone/Direct Out for practice or recording

Enough power to kill pesky Chupacabras and Evil Payasos

Link to comment
Share on other sites

Marshall MG50DFX 199 or the 30watt for 111. Prices from www.gak.co.uk

324.gif

Get the Marshall sound in a compact practice/gigging amp. Though small, it delivers a dynamic yet toneful punch. 50W. 12" speaker. 2 footswitchable channels. Loaded with digital effects including reverb, delay, chorus, and flange. Includes special features such as FDD (Frequency Dependent Dampening), CD ins, plus emulated line out, and emulated headphone jacks<<<headphones great for practicing at 3am!

Features:

50W

12" speaker

2 channels (footswitchable)

Digital effects including reverb, delay, chorus, and flange

FDD (Frequency Dependent Dampening)

CD ins, plus emulated line out, and emulated headphone jacks

Link to comment
Share on other sites

I was looking at the line 6 spider 2 a couple of days ago, it's a real beast - the 50 watt marshall is pretty awesome, and the footswitch is very handy (I don't think the 30 watts have them) although I do have a couple of distortion pedals so it wouldn't be too much of a problem, I'm currently trying to get my dad to stretch the budget a bit but he's not having it :(

But then I'll just come to the old problem of not needing that much power, my 50 watt right now never goes up past 2, or if I'm home alone I crank it up to a mighty 3, so the 30 watt amps seem to be the wisest choice in that respect. The problem is I have to think about whether or not I'm going to be joining a band. A 30 watt would be ok for jamming sessions I guess, but at the expense of footswitchable channels and being able to join a band. Unless I keep the 50 watt I have now...

I'm still thinking - I have to wait another month or two before I actually get to buy/play with any amps because I'm still researching them all :)

Link to comment
Share on other sites

Common misconception power <watts> has no bearing on how loud your amp is...a 1watt amp would be too loud for your room in some cases and yes you do get them. The sheldon hand made valve amp was reviewed in guitarist this month and it was 1watt or adjustable to 3watts and they said it is loud enough for practice and jamming.

With solid state amps <like the marshall> and digital modelling amps <like the line6> you can run at low volumes without sacrificing tone. Only if you owned a valve would running the volume at 2 cause any problems. Also it is good to have the volume potential there so if need be someday you can turn it up and it will work in a jam/live situation...you never know when you might need that.

Link to comment
Share on other sites

Originally posted by Tav:

With solid state amps <like the marshall> and digital modelling amps <like the line6> you can run at low volumes without sacrificing tone.

Solid state is bad enough, but digital modelling?

Give it a few years and they might get close but at the moment, digital modelling makes me dry retch. I'd rather have a microphonic valve (3 in the past four days) than a digital modeller.

Link to comment
Share on other sites

Originally posted by soundian:

Solid state is bad enough, but digital modelling?

Give it a few years and they might get close but at the moment, digital modelling makes me dry retch. I'd rather have a microphonic valve (3 in the past four days) than a digital modeller.

Hmmm I wonder why they have made there way into the pro market then? Heaps of bands are using digital modelling in their rigs so surely they must be of some use?

Link to comment
Share on other sites

Originally posted by Tav:

Hmmm I wonder why they have made there way into the pro market then? Heaps of bands are using digital modelling in their rigs so surely they must be of some use?

As long as you can switch off all the digital processing I don't have a problem, then you can have the best of both worlds.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

×
×
  • Create New...