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Pete

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Posts posted by Pete

  1. Is it actually out yet? And being on it, do I get a free copy cos I've got that pisscranes song on there, I helped write and performed in the panto and carol AND helped write and performed on the Metal Lickaz track?!?!

  2. ok then' date=' how about:

    jimmy and jonny masterplan: houston / wall of skin / draw the line / slice

    acoustic songs to fill out set as required: d.n.r. / last xmas / stars

    frosty, thanks for the offer, do you know any deadloss songs?

    pete, would you fancy playing caroline's eyes? i think there's an mp3 thing on the deadloss webshite...

    surely we can throw some shit together. :) rehersal 12 til 3 (or something) on the monday of the gig. let's hope somebody can make it along.[/quote']

    Oh no there isn't....!

    ACtually, I might not there, I think Nikki is working on the Monday so will be driving back down the road...

  3. As far as I was always concerned, a proper producer ie Rick Rubin, Ross Robinson, Butch Vig etc takes the songs a band writes and makes little tweaks and changes to the songs to make them as good as they can be. The producer essentially becomes a member of the band for a few months. One of the best examples of this is the demo version of Blind by Korn and the album version - there's huge sections of that song taken out. THAT is producing in my mind, along with helping the band get guitar sounds etc. They help craft the band and the bands path for the next couple of years until they record their next album, basically.

    People like Captain Tom or Mark Nicol, 95% of the time they get a band in, they set the mics up, get the sound the band wants and then presses record and that's pretty much it. A few helpful hints along the way to make it sound better but on the whole, no producing - in my mind that is.

    (In case he's reading this, I would say Mark TOTALLY produced the pisscranes track I recorded for the Fudge Xmas CD cos there were certainly aspects of that I didn't have a scooby what I wanted to do or what I should do or how to even pull it off so that track is DEFO produced by Mark!)

    So, rather than asking who the best producer is or whatever, you should really be asking who the best person is to RECORD your music is unless you're willing to spend a good few months and a fair bit of money making demos and re-recording songs over and over until it's perfick.

    If anyone can correct my views of what a producer does, feel free, that's all just come from slightly-educated guesses.

  4. e.jpg

    Watch Sheila E on Prince's 'Sign O the Times' tour. Good Lord...

    Obviously there's no reason why ladies can't be good drummers' date=' but the fact is there are very very few. And I don't just mean uber-technicality, I genuinely haven't seen many who have anything more than very basic ability. But the same goes for guitar, tbh. I don't think many ladies are interested enough to put in the amount of time and dedication necessary to become really good. They usually have better things to do...[/quote']

    Usually?! Who's doing the washing up and the ironing while they're out playing gigs?!?!

    :laughing::laughing::finger::laughing::jester:

    Seriously though, the girl from Hole was no bad. Sometimes I think girls just aren't aggressive enough to play drums. Oh and doesn't Kid Rock have a big black woman playing drums?

  5. Correct me if I'm wrong but wouldn't you also need permission from the record company that hold's the mechanical copyright on the recording' date=' unless you re-record it.[/quote']

    No, I think it's just the publishers. I don't know why I'm sure enough to post that reply but for some reason I am...

    A related story: that song by Edwin Colins that annoys the shit out of anyone that's ever heard it apparently has some half second drum sample at the beginning which was never cleared before it was released cos noone thought the song would do that well. It was only after the song topped the charts in most countries across the world, appeared on millions of adverts etc etc that the original owners of the sample were asked permission to use it. 'You made HOW much in royalties, Mr Colins? Ah, that much? Well, we'll have all that, oh, and a bit more cos you're rude.' Poor old Edwin lost money on that international super hit...

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