Wait a minute... I'm not a cunt - people just want preferential treatment and when they get it you're a hero and when they don't you're the worst. Big deal, life goes on innit. The Streets sold out in like 3 days and The Secret Machines tour was supposed to be a Gonzo tour with Prefuse 73 supporting and Zane Dj'ing and as part of an album promo tour and it bloody ended up being none of the 4. Gutted I was, cracking band but stung us for like a grand on tickets. Broke with the bar though, so all good and the band were all about it. I seem to remember the figure 394 as attendance - which i thought was pretty fucking sweet actually. Aberdeen's hard as fuck. I can't remember any real stinkers that should've been sell-outs; we always really bombed on brand new bands where we relied on locals or older bands, as the we could never really break into the Lemon Tree's market. Alex Harvey Band and Rob Love were particularily horrid - and booking locals, in hindsight, was definitly always my weakness but sometimes there simply isn't enough hours in the day and with what became obvious financial problems within RFR as a whole - I didn't really have much cash to play with even though the music side was always profitable and we always strived to pay every band if it was at all possible. Local bands in Aberdeen get the best deal of anywhere I've known in the UK - honestly. Anyways, you live and learn; from what i'm hearing at MAMA HQ down saaauufff is that big changes are afoot at 'Moshulu' and they'll be cracking provided the promo team retract their finger out of their arse. I think Stevie's class (I hired the loon, after all) but for the life of me I can't understand the apparant downturn in live music considering the infrastructure Moshulu has became a part of. It still bemuses me that venues don't have subscribable blogs - every time you announce a gig you stick all the details in a post and all the subsribers get an email. Much easier and more practical than mailing lists or twitter. Aberdeen's a wee bit of an anomaly; National Ads don't seem to dent much. But bang out a hundred a3's and chuck them to Al Caithness to distribute and bob's your uncle. That, up to date website listings and maybe a monthly King Tuts style flyer distributed and it should be easy enough - bookings the harder bit. I remember not selling out Blood Brothers or Pretty Girls Make Graves and being completely distraught about it but alas it is Aberdeen and in the grand music bizo zeitgeist it's always going to be a secondary market. Still, I'm up Wednesday through Sunday so if anyone wants a little promoter crashcourse - I'm pretty cheap