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betamax

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Posts posted by betamax

  1. a bit more fun than sitting a fecking PC for sure

    its as intuitive at looks too once youve sussed the controls, Ive used a really basic sampler in the past and got the same kind of results by stealing a Bootsy Collins riff, adding a beat and sticking a loop of Burt Baccarach sax over the top.....but on a non automated manually triggered sampler (AKAI remix16).....looks much easier if theres a sequencer holding the samples together than f*ck

    the vids have actually answered a lot of my questions so thanks min! :gringo:

    *disappears for 48 hours to read the manual*

  2. Horses for courses or whatever PC Versus Hardware.

    Ive done the PC based thing (with a load of midi <controllers and modules> hooked up) for a while thinking it was an advancement over dedicated hardware, and it is in a lot of ways it is, especially making less work for the operator and giving you more (too many???) options - but not in all ways. For me I work better and more intuitively with the hardware for some intangible reason. The feel is completely different and the work methods are very different. Sound is different too. I find screen based working a bit too visual, plus I sit at a PC all day at work, the last thing I wanna do is sit at another one when I get home.

    I found that people consider the AKAI sequencer to be as way better unit than the Roland ones so Im looking forward to getting into that side of it.

    Ill still be using the PC for runing Wavelab for sample editing and maybe mastering finished stuff and also still use Nuendo for capturing live vocal takes prior to editing. I utterly detest VST synths though, and find linking PC sequencers to my hardware synths a real fuck on. Never had any hassle with Hardware tho. OR crashes.

    The MPC4000 is a USB host so for file transfer and file handling it will interface with perfectly with the PC, to edit, file and access the samples easily. Thats what PCs are good at imo.

    Too late now anyhow, to redesign and re-invest in my PC based recording suite (which is pretty good (Emu audio/midi interface into Nuendo) - the MPC4000 arrives this week with a pile of dirty sample vinyls from the states. (The MPC has phono jacks on the back so will live happily next to me deck yo!)

    Plus for gigging, I still would never trust a laptop. MPC will go where I go generally.

    I think for original Hip Hop, Junk Reggae and any modern R&B styles (or anything with robotic tight syncopation) the MPC is gonna do the job and by all accounts has the perfect sound and feel to do those styles properly. PCs are way more versatile user freindly jack of all trades but thats not what Im looking for.

  3. Anyone working with these?

    Ive done a lot of hardware sequencing on Alesis and Roland kit and done some sampling on an older s1000 Akai sampler....will this experience be any use on an MPC?

    Im hacked off with the drawbacks of PC based sampling/sequencing etc

    so Im thinking about doing some new stuff with an Akai MPC4000 (as used by Dr Dre!)

    Has anyone got one and can offer any tips?

  4. I'm actually devastated to find that the Brian Eno CD Another Green World has Phil Collins on it. I own it so am guilty by association.

    Aye but did Brian Eno know that Phil Collins had got on his CD? The wee baldy bastard might have crept into to studio and pressed record while Brian was out for a fag. Brian might have then assumed he had accidentally recorded sound of someone trying to shit a melon out of their arse in the studio toilets, but left it in the mix as for artistic purposes. It could all be just a horrific mistake.

  5. Ok...if say someone was to hate Phil Collins' date=' Asia, Chris Rea and most of all [b']Marillion, could they be forgiven for liking early Genesis ?

    You may have to plead mitigating circumstances for that I think (LSD, Absynth, Newcastle Brown Ale or some other mind altering substance)

    Or you could say it was the voices in your head told you to do it and then at least you'd get a nice padded room.

  6. How do you think Oi Polloi and Los Crudos started?

    At what point in their careers would they have been allowed to talk between songs?

    Would they be any good at it if they hadn't had any practice?

    dont care, they prob had something worthwhile to say in the first place given their ideologies/politics and the type of audiences that will lap that type of thing up in the belief there is a point to a band doing that

    fine

    but thats not the issue, its the local bands talking bollocks for the sake of talking bollocks between songs in order to feed the their fake rock star egos (they all know who they are)......its like a fucking plague on our town

    just like DJs who talk too much at the expense of actually playing records

    Maybe they like the sound of their own voices better than the actual music (and they maybe have a point there)

  7. Depends what sort of band it is....when i saw Los Crudos they did a lot of explaining about their songs between them (considering the vocals were both screamed and in Spanish' date=' this was probably essential), and everyone listened to every word that was being said and left the place thinking they were about to start the revolution....

    Some bands can pull off humour when announcing their songs, which can work to an extent.... Oi Polloi are a good example.

    Of course the "this songs about getting dumped", "this songs about getting pished", "this songs about me burd" types should be shot....[/quote']

    are Oi Polloi or Los Crudos local bands

    nope

    well they are allowed to speak then

    all local bands should be gagged / censored / muted between songs

  8. Its a dream of mine that one day all the people of dubious musical taste will be asked to fill out a tick box style questionaire. The questionaire will ask:

    Do you like Phil Collins and/or his music?

    Have you ever liked Phil Collins and/or his music?

    Do you or any of your family own any recordings by Phil Collins?

    Have you even sung a Phil Collins song at Karaoke?

    Do you know any of the words to any Phil Collins song?

    Have you ever had a dream with Phil Collins in it?

    If Phil Collins was burning alive would you piss on him in order to put the fire out?

    If any YES boxes are ticked the person in question is taken into custody, tortured and beaten up a bit and then incinerated alive, with all records of that persons life being destroyed. Immediate family and friends should then be placed under immediate state arrest and asked to complete the same questionaire.

    There should also be one for Genesis, Asia, Chris Rea and Marillion.

    Hiltler had the right idea he just picked on the wrong social group.

  9. people that give a fuck what the songs about.

    so yeh, only the band then! (and maybe their mams)

    .....why bore the rest of us with a fake tale of inspiration or some bullshit ideology designed to impress (and therefore rendered void by its motives)... id rather read a book to be honest

    for a captive audience to bore shitless the mouthy bands should just stand outside Marks and Spencers on a Saturday afternoon imo

    if you ever hear these words at a gig

    ''just play the fucking song!!!''

    that will be me (probably)

    and when bands start talking mates in the crowd.......don't get me fucking started on that one.

    Mate in crowd: ''You're all cunts''

    Singer/Guitarist: ''No you're a cunt huhuhuh''

    *Uncomfortable silence, shuffles a bit then points at bass player*

    Singer/Guitarist: ''He is most definately a cunt''

    *bass player moves over to nearest microphone*

    ''huhuhu you're a FAT CUNT so shut up man huhuhuh''

    *Audience heads for exit / toilet to poo*

  10. Im sure there was a thread like this about Phil Collins that was actually even funnier....

    and Marillion

    and Midget Ure

    and Dire Straights

    and Chris DeBurgh

    and Pink Floyd

    and Tina Turner

    etc

    All should be destroyed and all records of their existence erased. Then the human race can move forward without guilt or shame.

  11. it was just directionless funk-rock dirge with no charisma or tunes.

    must be the same band i accidentally saw in drummonds

    oh yeh it is.....

    first song was very clever muso pop - faultless but soulless, but I kinda enjoyed it in the way you might secretly like a song by Hard Fi but know that you shouldn't (not that thats happened to me - ahem -)

    then it went into a muso poo funk workout for at least half an hour untill it forced me leave in search of some filter disco and lower quality lager

  12. Iv just done a poster for a local gig with a naked soul sister on it' date=' i dont think its that offensive really. Considering the event is called love explosion.

    [url']http://i1.tinypic.com/mv2mmg.jpg

    love explosion - a face covered in spunk springs to mind

    but that may possibly be seen as offensive in some quarters of society

    no one is implying theres anything offensive about naked laydeez on posters, just that its usually irrelevent to the product its attempting to sell

    yo

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