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brand new Noise Pollution MP3!!


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Guest AmbientMood

'I coulda sworn they stopped making music like this in 85!'

Drums sound good, guitar sounds nasty and cheap, vocals sound good.

Theres a general aura of cheesy Julia-Roberts-80s-romantic-comedy.

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  • 2 weeks later...
Guest stuartmaxwell

fuck off wanker boy

you are simply upset because your band are utter shite and i happened to mention that

i am sure you see lots of threads showing my passion for good music

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whoah, now dont take yer little argument into this thread.

i dont give a shit what this guy says, danny, really. i mean personally i felt orwell were truly dreadful whenever i saw them. just how i feel, thats just how he feels. thats not a just a critical snipe back at him for saying he thinks its crap - thats just how he feels, thats just how i feel. he did however put a lot of energy into his performances for orwell.......not alllll negative.

now smile, everyone, and leave us alone.

simple.

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Guest stuartmaxwell

you continously hit new lows danny

you are a fucking tool, you always have been and always will be

when you are at the dole queue you should ask if they can find you some dignity as well as a job

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for what it's worth, i actually agree with stuart.

the intro sets the scene for something that the song doesn't deliver - the stark contrast in style and eq between the intro and the song just sounds wrong, to me.

the song itself is based on some pretty cheesy riffs, and to be honest sounds like a poor wildhearts b-side. i feel bad saying that actually, because wildhearts b-sides are for the most part as good and often better than their album tracks. the bass and guitar melodies are slightly reminiscent of them nonetheless.

the breakdown clich at about 3 minutes seems like a wasted opportunity to throw something different into the song. hey, it's your song and that's what writing is about, expressing things how you feel and want. but i would have at least had the vocalist singing over it and the bass doing something more expressive.

the vocals are ok, but are pretty lacklustre. the voice sometimes reminds me of shirley manson, but without the balls. i can see her voice going one of a couple of ways, like shirley manson, if the song suited it better and she could be a bit more aggressive whilst holding onto the tuning and softer dynamic ranges in other areas; or she could go for the punk yelpy thing that sharon from the videos seems to do quite well. and that girl from bis. when she was in bis.

it's just very pub rock, which i think is such a tired and crowded area to place your songwriting efforts into. the guitar solo at the end only helps to push it further into pub rock territory.

it depends what you like i suppose. i've had similar feelings before about another band that had a girl singer up front (think it may have been girl said no, but not sure), it just seems like such a waste. girls are totally different vocally to guys, and to me it sounds like she is trying to sing like a bloke. i usually prefer girls to sing much more delicately, or much more aggressively, or at least a mix of styles to keep the interest there.

for example, there's a girl in a band locally called 67, and she has a beautiful voice - but when i saw them live, she seemed to sing the same sort of parts - that very delicate, very high, elizabeth fraser sort of ethereal sound. i was going to say beth gibbons (noting as well that 67 do a cover of a portishead song), however beth gibbons has a huge range and uses loads of vocals styles when she sings from high and spacey to gravelly and dirty.

a good example of someone local (well, was local) that knows their voice and knows where it is suited is jo mccafferty. apart from the fact that she is a technically good singer, she does the dynamics thing very well with her voice, and doesn't need to extend over a great pitch range to show a variety of emotional styles in her vocal (even though she can and does).

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for what it's worth' date=' i actually agree with stuart.

the intro sets the scene for something that the song doesn't deliver - the stark contrast in style and eq between the intro and the song just sounds wrong, to me.

the song itself is based on some pretty cheesy riffs, and to be honest sounds like a poor wildhearts b-side. i feel bad saying that actually, because wildhearts b-sides are for the most part as good and often better than their album tracks. the bass and guitar melodies are slightly reminiscent of them nonetheless.

the breakdown clich at about 3 minutes seems like a wasted opportunity to throw something different into the song. hey, it's your song and that's what writing is about, expressing things how you feel and want. but i would have at least had the vocalist singing over it and the bass doing something more expressive.

the vocals are ok, but are pretty lacklustre. the voice sometimes reminds me of shirley manson, but without the balls. i can see her voice going one of a couple of ways, like shirley manson, if the song suited it better and she could be a bit more aggressive whilst holding onto the tuning and softer dynamic ranges in other areas; or she could go for the punk yelpy thing that sharon from the videos seems to do quite well. and that girl from bis. when she was in bis.

it's just very pub rock, which i think is such a tired and crowded area to place your songwriting efforts into. the guitar solo at the end only helps to push it further into pub rock territory.

it depends what you like i suppose. i've had similar feelings before about another band that had a girl singer up front (think it may have been girl said no, but not sure), it just seems like such a waste. girls are totally different vocally to guys, and to me it sounds like she is trying to sing like a bloke. i usually prefer girls to sing much more delicately, or much more aggressively, or at least a mix of styles to keep the interest there.

for example, there's a girl in a band locally called 67, and she has a beautiful voice - but when i saw them live, she seemed to sing the same sort of parts - that very delicate, very high, elizabeth fraser sort of ethereal sound. i was going to say beth gibbons (noting as well that 67 do a cover of a portishead song), however beth gibbons has a huge range and uses loads of vocals styles when she sings from high and spacey to gravelly and dirty.

a good example of someone local (well, was local) that knows their voice and knows where it is suited is jo mccafferty. apart from the fact that she is a technically good singer, she does the dynamics thing very well with her voice, and doesn't need to extend over a great pitch range to show a variety of emotional styles in her vocal (even though she can and does).[/quote']

see kids...when people want feedback this is what they are looking for! well done sir!

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