Hello music producers JEID IS RIGHT BRO... GET THE SN10'S FOR THE MONEY THEY ACTUALLY INCREASED THEIR SELLING PRICE NOW FOR THE PAIR... 103... 10 POUNDS MORE THAN BEFORE... THEY MIGHT BE SELLING REALLY WELL AS NS 10'S ARE VERY EXPENSIVE... WELL IF THE PROBLEM WITH THE NS 10'S WAS THEIR BASS RESPONSE NOW THE SN 10'S HAS BETTER BASS RESPONSE SO THEY WILL BE BETTER AS A PRO STUDIO MONITOR... I GOT THE YAMAHA HS 50M AND HS 80M WHICH ARE BOTH VERY GOOD AS WELL. BUT CHECK OUT THE EVENT MONITORS TR5, TR6 AND TR8 OR THE 20./20 MANY RECORD PRODUCERS HAVE USED THEM AND THEY ARE VERY GOOD AS WELL... IVE USED THE TR6 GREAT... THE REST KRK, BEHRINGER, TANNOY REVEALS... THEY WONT GIVE YOU AS MUCH REAL FLAT SOUND THAN THOSE MENTIONED ABOVE... IF YOU HAVE THE MONEY GO FOR THE MACKIE HR624, HR824 I THINK.... OR QUESTED, GENELECS, ... I GOT THE M AUDIOS BEFORE AS WELL... FOR THEIR PRICE THEY ARE NOT BAD... BUT NOW MAINLY CONSIDER THE SN10'S. STUDIOSPARES SELL THEM IN PAIRS BUT YOU NEED AN AMP. A GOOD AMP... TO RUN THEM.. CHEERS BROTHERS... HOPE THAT HELPS.. GELLY
