Jump to content
aberdeen-music

home recording


Guest Stripey

Recommended Posts

Guest Stripey

How many of you record at home, and what gear do use for it? Do you make your own CD's? Or do you record at places like Exile and get them to produce the finished CD for you?

Link to comment
Share on other sites

i record acoustic demo's on my bro's computer and put them on a CD-RW an let the band hear them first before proceeding. I use Cubase 5.1 and WavLab and i use zoom's ps-02 palmtop studio as a pre-amp through my line-in 2record the gtr an vocals seperately in Cubase.

peace,

Danny.

p.s. we recorded some full band tracks in Cpt. Toms for a reasonable price, jus havent got round 2 mixin an masterin the last two tracks for a demo CD which everyone has been moanin at me 2 get finished for about a year! LOL!

Link to comment
Share on other sites

Guest Neubeatz

Various methods, different situations.

Sometimes I record at home, straight on to pc, Wavelab 5, Sound Forge 6, sometimes record in the exchange basement, (mac with garageband)

Last "studio" recording was at Cap Toms, with The Famous Prostitute, the cd tracks from there got a little tickle with adobe audition, before getting mp3d for the net,

I have a cdrw here but I have never used it for a "production run", If listeners want DT tracks, they generally d/load them,

Some one has asked me to record a couple of ambient tracks for their own personal use, so they will get one off cds recorded and burned at the hoose.

I generally use cracked softwarez and computers rescued from skips,

You can hear The Famous Prostitute here.

Link to comment
Share on other sites

Currently just for recording ideas it's guitar in a Korg Pandora PX4 personal effects processor for amp/cab/effects. This then goes straight into PC through the line in on my sound card. Final destination is Cakewalk Guitar Tracks or Adobe Audition.

Link to comment
Share on other sites

I currently record straight to a 4-track Yamaha MT-50 cassette portastudio (kindly given to me by Mike Napier of the Downroads). Then I mix onto minidisc, before transferring the best mix to CD-R as a master. When I've enough songs I put out a CD-R for sale. Then I deal with the complaints from a disappointed public! (all 2 of them).

I think you can get bogged down with technology, mastering etc!

Link to comment
Share on other sites

Guest Stripey

Thanks for your replies its interesting to hear how you guys go about doing things. Do you do any post-processing to the tracks like compression/limiting/eq (of the whole mix or the individual tracks...)

Link to comment
Share on other sites

i do it the same way as alan cynic except i use a fostex XR 5 four track and i put an alessis midiverb box through the four track for some additional effects.

been mastering down some old four track stuff which was recorded on an amstrad machine! i was quite productive in the early 90!

Link to comment
Share on other sites

Thanks for your replies its interesting to hear how you guys go about doing things. Do you do any post-processing to the tracks like compression/limiting/eq (of the whole mix or the individual tracks...)

Personally I don't....I want it to sound the way it was when I recorded it, but a couple of times some record companies have tinkered with my masters to reduce hiss, get wider range etc It hasn't unduly irritated me.

_________________________________________________________________________

Kitchen Cynics..........................................what's EQ?.......................................

Link to comment
Share on other sites

I use a Tascam 4 track (which we used to record the whole Spike Pile Driver album). Then get it burned on to CD by Captain Toms, Tom also uses a compression button which does something cool to the sound :up:

I also have a digital 12 track which Im still working out how to use! (for my solo stuff)

I think for Element 106 we will simply use Captain Toms

Link to comment
Share on other sites

I use Cubase SX 2.01 (which for evaluation purposes you can normally find on something like kazaa if you look hard enough) - For guitar I plug into a Line 6 POD II. PC is an AMD 1900XP so roughly 2Ghz performance wise. 512MB ram, 100GB hard disk with an external disk (firewire but USB2 would be fine too) for making backups.

I've got some example stuff at http://www.eutioa.co.uk which was originally done in Cubase 5. To be honest I've only recently gotten good at using this stuff and there's a lot to learn if you want it to sound professional - those examples tracks are somewhere in between competent and good but you can get excellent results if you try - I would say the emphasis is still on the musician(s) to record good stuff in the first place (garbage in, garbage out as they say - or alternatively you can't polish a turd!) - so you still need to do several takes if you want a perfect performance even if you only have to play the riff once and then loop it.

Link to comment
Share on other sites

Guest AX FAE TX

Terminal.X. use a FOSTEX VF 08 which stays at DX'S HOUSE

I HAVE A FOSTEX VF80 - we put down some tunes then swap machines adding to each others tracks .

we have now also got a copy of CUBASIS -but as we don't read instructions progress is slow -but as you find things out the music grows.

then burn it straight from digital onto the phillips cd recorder/copiers -for master cd.

then use a computer to copy the rest.

Link to comment
Share on other sites

I use Cool Edit Pro v2 (now Adobe Audition) to record via mic/line in, then master with T-Racks 24. Utterly amazing application T-Racks - I recommend everyone (including Mr Cynic) gets it. :D

Oh yeah, and I'm regressing to 4 track recording too, as my PC isn't all that portable. Plan is to transfer individual tracks into Cool Edit and remix as necessary.

Link to comment
Share on other sites

Guest Stripey
I use Cool Edit Pro v2 (now Adobe Audition) to record via mic/line in' date=' then master with T-Racks 24. Utterly amazing application T-Racks - I recommend everyone (including Mr Cynic) gets it. :D[/quote']

I haven't tried t-racks myself, read about it though, it sounds pretty good. I used to use Akai Quadcomp VST (4 band compressor/limiter) on the master bus but I've been getting better results with Yamaha "Final Master" VST now, its top notch and very configurable.

I don't actually do any recording, all my sounds come from digital sources (mp3's/vst synths/divx's (audtions "extract audio from video" function is damn useful;))

Link to comment
Share on other sites

Wouldn't mind getting to grips with the video side of Audition (doesn't Cool Edit 2 have a rudimentary version of this? Will have to take a look sometime. But at the moment my Pentium 2 is just not fast enough to get into video, plus the 4Gb hard drive fills up rather quickly! :D

Link to comment
Share on other sites

Guest Stripey
Wouldn't mind getting to grips with the video side of Audition (doesn't Cool Edit 2 have a rudimentary version of this? Will have to take a look sometime. But at the moment my Pentium 2 is just not fast enough to get into video' date=' plus the 4Gb hard drive fills up rather quickly! :D[/quote']

cool edit 2 (which i actually use, haven't upgraded to the adobe version yet) just has "extract audio from video" as an option in the file menu...its great but sometimes chokes on big files like 700 meg dvd-rips and doesnt extract the whole thing.

Link to comment
Share on other sites

that's a pretty big question! Get audio from samples, instruments (usually bass, double bass, guitar, keyboards (woooooo!!! The flat has a moog!) and vocals using my delta 66 omni and some mics, midi instuments (battery and lots of synths, though I only usually use a few I have), controlled via my ex7 (sadly mostly just used as a master keyboard). All this gets bunged into cubase. I usually use production as a fairly creative part of recording, then mix it roughly. If I decide to record something properly, I'd get a friend to mix it (gav?) and give it to a mastering company.

Link to comment
Share on other sites

Guest Stripey
that's a pretty big question! Get audio from samples' date=' instruments (usually bass, double bass, guitar, keyboards (woooooo!!! The flat has a moog!) and vocals using my delta 66 omni and some mics, midi instuments (battery and lots of synths, though I only usually use a few I have), controlled via my ex7 (sadly mostly just used as a master keyboard). All this gets bunged into cubase. I usually use production as a fairly creative part of recording, then mix it roughly. If I decide to record something properly, I'd get a friend to mix it (gav?) and give it to a mastering company.[/quote']

Yea I definately look at production as being a very big part of the creative process, I usually eq/compress/filter parts as I'm writing them, then once its all down just need some minor tweaks to get everything sitting right. Since at the moment all my stuff is going onto mp3 or CD-R I just use a mastering compressor on it myself, but if I was going to vinyl I'd leave that out and pay the place to master it for me...

How much do you usually pay to get something mastered, and what format does it end up on?

Link to comment
Share on other sites

this thread has prompted me to dig out 'parallel dog days' which remains an astonishing record' date=' as lo fi as it gets![/quote']

Thanks for remembering it, delboy. It's just been re-issued on the US label Secret Eye, who have done stuff with Thurston Moore, Bonnie Prince Billy etc

________________________________________________________________________

Kitchen Cynics.............................making the sounds you don't want to hear..........

Link to comment
Share on other sites

cool' date=' i remember seeing a load of other kitchen cynics albums in retro blue (RIP) but never had the money to purchase any. how many you made exactly?[/quote']

I've done quite a lot on cassette/CD-R on my own, but officially it's 3 vinyl albums (2 of which got reissued on Get Happy, who put out some GBV stuff), plus 3 CDs (although one is on a strange Belgian CD-R label called Audiobot). I've also had a few 7"s out over the years, and tons of songs on compilations (alongside Country Joe, Bardo Pond, Thurston Moore, Tom Rapp, Half Japanese, Ghost, Television Personalities etc)

The Cavern used to have some vinyl, but I don't know if there are any left.

_______________________________________________________________________

Kitchen Cynics.................................doggedly plodding on......................................

Link to comment
Share on other sites

Guest Sundaram
I've done quite a lot on cassette/CD-R on my own' date=' but officially it's 3 vinyl albums (2 of which got reissued on Get Happy, who put out some GBV stuff), plus 3 CDs (although one is on a strange Belgian CD-R label called Audiobot). I've also had a few 7"s out over the years, and tons of songs on compilations (alongside Country Joe, Bardo Pond, Thurston Moore, Tom Rapp, Half Japanese, Ghost, Television Personalities etc)

The Cavern used to have some vinyl, but I don't know if there are any left.

_______________________________________________________________________

Kitchen Cynics.................................doggedly plodding on......................................[/quote']

What compilation is 'Now's the Time' going to be on?

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

×
×
  • Create New...