Jump to content
aberdeen-music

(Probably pathetic) theory question.


Recommended Posts

Guest AmbientMood

I suck at explaining.

You're on the right lines with the context theory. If you played an A minor over a C major chord, the effect would be C major. If you played C major over A minor chord the effect would be A minor.

When you play for example in C major over chord progressions, you kinda dip in and out of modes. If someone slaps down an a chord VI (a minor) in C, the effect created is that of the aeolian mode (minor) even though the 'shape' you are using is good old no-sharps-no-flats C major.

I think 'chord context' is about right.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

×
×
  • Create New...