badger

If it is a DRM encoded WMA, better off buring it to CD, then ripping the CD to MP3

except they already have........o_O

Byre, you love it because they all loved the Radar We nearly got a 24 track Radar back when they were first released, but instead ended up with DA88's. I'd be interested to hear if they do any more of these comaprison tests. LEt us know

I can assist, by chucking it in the bin for you......

Best Post I've read in a long time here.!! I'd love to get my hands on Soundscape, Pyramix or ProTools, just to get the experience of using them. Isn't Pyramix usually used in Film Post at the moment? Most of my Recording work was done back when DA88's were brand new on the market, and we had 3 racked up together, topping and tailing using SAW. Nowadays, I'm more likely to be using Cubase, or Nuendo, but I have to say though, I am still a fan of Hardware, especially with the ease of use of machines like the Alesis HDR24. Been mixing a few tracks in the Foyer this week as a favour, and it's a fantastic little piece of kit.

University Of Aberdeen has Protools TDM with HD outboard in the music department Just wondering, in your opinion what is the best?

Beastie Boys have released a pile of accapellas on their website for you to remix. Enjoy http://www.beastieboys.com/remixers.php

Chuck Silverman, and Russell Gilbrook are both damn good. Had the pleasure of meeting them both briefly. Vinnie Colaiuta though still is god Especially on Zappa's "Joe's Garage". Also Ed Mann's Marimba playing and general percussion is amazing on the same album.

I'll give you 50p and a half eaten packet of breadsticks if you get 200 for it.

If you have a copy of Wavelab, you can compile the whole CD in the Audio Montage, along with any crossfades you may want and use the Meta Normalise funtion. In essence it will be very similar to what your doing with Nero, except you have the safe knowledge that Wavelab will do a much better job

why dont you add the vb arcade? That would be much fun

wahey!

This is still for sale, now at 120

like most of Behringers stuff, cheap crap!

thankyou *bows*

mmm, brushed aluminium. My favourite....

That was actually directed at General Ermintrude, not you Keilan. I forgot to quote his post. Sorry

I take it you want a gooseneck mic? Cjeck out Audio Technica's website. We use these at work http://www.audio-technica.com/cms/wired_mics/433dc3e0b88a69e6/index.html specifically for induction loops, but it would be ideal for your vocoder, if it can supply Phantom power at at least 9-52V DC, 2 mA

If the desk has a 2track out, use that. It wil probably be on phono's or 1/4" jacks, so the appropriate cable would be needed. What make and model of desk is it and I could probably tell you the correct output you require to use.

I'll see your ahem, and raise you a "yeah right". "Top London Studios" dont use Digi 001's , or Alesis amplifiers. Nothing wrong with kitting out your studio with that gear, but making bold statements such as that is incorrect and unfair to your clients IMHO. Always welcome to see a new studio on the go. Congrats and welcome

you sir, are a moron.

Give the guys at Creative Lighting And Sound a shout on 683111

I downloaded a copy so I could play with the Nine Inch Nails remix of "Only" http://www.nin.com/access/only/ It's a bit odd, but I can see it's uses. As a Cubase man from way back it makes little sense to me on first impressions, but if I persevere, I can see it as a useful tool in the old arsenal It could do with a lot better export options though

Never thought to actually check their website DOH! Thanks. Badger.