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05-12-2007, 12:58
Probably not the best time to bring this up, but...
Why, if you were paying at the door, did the £1.50 booking fee get magically transformed into an 'event fee,' on top of the admission charge? Surely that's the event fee?! Always a bit annoying to find out a show is £1.50 more than you thought. Sure, it's less than the price of a drink, but if you've budgeted for the night, and the money that tips your budget over goes to a mysterious 'event fee,' it's more than a bit annoying. |
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05-12-2007, 13:00
It's a shame. I feel sad today. I was looking forward to headlining the Lemon Tree one day in a sort of "Aberdeen welcomes home local hero" type gig. I feel kinda the same as I did the day they announced that Top of the Pops would be no more..........as if........all my dreams....are.......slipping away.......
Who's going to put on Stiff Little Fingers every March?! |
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05-12-2007, 13:03
I too need to express regret in the Lemon Tree closure.
Just like most people here, I was never a regular attendant, but the venue pretty much was the text book definition of "diversity". Talking about other Aberdeen venues, would it be correct to say Cafe Drummonds is doing rather well as far as the local music scene and smaller bands are concerned? There's at least one day a week where youngsters mass to see loads of local bands. I hope The Tunnels is never going to face the same fate as The Lemon Tree. How is The Tunnels doing just now anyway, anyone know? I think it may be important for the public (ie. us) to know how venues are doing so that we can act appropriately if need be. Could it be that there is no problem with the amount of quality (local and national/international) bands we are getting, but with the actual number of people attending maybe? There have been a few gigs as of late that could have benefited with more attendance....Robots In Disguise (Moshulu) and The Hot Puppies (The Tunnels) form example. Does that have to do with the bands or the promoters? Or a combination of both? Maybe neither? And lastly, I wouldn't complain about seeing The Needles at Exodus if it's a feasible solution. |
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05-12-2007, 13:06
For my money the biggest problem with the Lemon Tree was getting the info out there, IIRC they didnt send anbything to the GC Guide (though i could be wrong) and it was very fruistratibng when you would get the magazine sent to you, but discovered that by the time you got the magazine 2/3rds of it had gone anyway. They were terrible at one point for sending out magazines that were at least a month out of date - of course like others its been a few years since i received anything at all.
As a venue I always liked it, though I echo what people said about drinks prices etc. I hope that the council could possibly reconsider and open up a similar thing in the same location as they need a space for much of the art stuff that was there and the chances are much of that stuff will always make a loss, so it should almost be accepted if they weant that kind of thing to run it should be acceopted it will lose, and then maybe they could concentrate on the music thing as a more profitable business. |
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05-12-2007, 13:08
Absolutely gutted to hear this. I remember going there a lot in my early teens, played a huge part in getting me into music. Seeing Bloc Party and Maximo Park in there for 4 pounds was also a highlight.
It was a pleasure to play their twice. Especially supporting APBat what was the best gig i've ever been involved with. Gonna miss the place a lot. |
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05-12-2007, 13:13
Absolute nightmare. I loved that place, and The Lorelei always said it was our 'spiritual home'. I seem to remember being there on the first ever night (Skuobhie Dubh Orchestra I think?) and it was always pretty much the ultimate place for an Aberdeen band to play.
Obviously it had problems for years, I don't think it ever made money right from the start, but I don't see much point in arguing about whose fault that was. However I can't help thinking the end could have been handled much better. The fact that pretty much everyone considered closure to be practically inevitable at some point makes me wonder why the board have acted like it was a complete shock to them. As it is there are so many people affected by this needlessly. Surely they could have had the foresight to plan the closure in an organised manner, firstly giving staff a reasonable amount of notice and certainly not 3 weeks before Christmas. And the bookings could have been pared down until the final date, instead of leaving so many customers high and dry with apparently no hope of refunds. Promoters and bands are now out of pocket too, having spent a lot of time and money organising gigs that now have to be cancelled, refunded or re-organised, again with no notice. This includes my band, who had a great deal invested in our Christmas gig on the 15th - people flying in from all over the country and abroad, and a lot of work all down the pan. We will now be working as hard as we can to re-arrange, but it's stress we could really do without. I'm sure the Needles and others are thinking the same. This closure is a disaster, but the real nightmare is the needlessly incompetent way it has been carried out. |
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05-12-2007, 13:13
What on earth does that mean?
I went to gigs I was interested in seeing. That tends to be my attitiude towards all venues. I hope you're not suggesting we should all have gone to shows we had no interest in? That's ridiculous. I don't really fancy paying through the nose for some shitty tribute act. As has been mentioned already - it was a business. It's up to them to get the punters in the door, so it's a bit much to accuse us all of not looking after the poor old Lemon Tree. I love that place as much as anyone, but Joe Public can't be held accountable for its demise. The brutal truth is that these sorts of places die for a reason. The Lemon Tree took on way too much work, and they obviously didn't have anything even close to enough money to keep it running. |
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