|
|
#1 (permalink) |
![]() ![]() |
Hey folks, we (som) are recording at captain toms in a few weeks. we've opted for the 8 hour multitrack recording.
does anyone have any (helpful) tips on how to get a good recording and improve on our last one? if you haven't heard our last recording its posted up on myspace.com/statueofmisery i'm especially looking for tips on making the drum sound a lot 'beefier', especially the bass drum. also, the tom sound on road to ruin. (which is also on myspace). many thanks in advance |
|
|
|
|
|
#3 (permalink) | |
![]() ![]() ![]() ![]() |
Quote:
Why not speak to your engineer about how you want things to sound before you start recording? If its mostly to do with your drum sound, then microphone placement is important...but in the mix down the engineer should be able to make it sound how you want with EQ's and compression and the likes. Make sure your kit is properly tuned aswell with new skins aswell. |
|
|
|
|
|
|
#4 (permalink) |
![]() ![]() |
The are several pages of information and a page on exactly what happens in a recording session at www.the-byre.com
|
|
|
|
|
|
#5 (permalink) |
![]() ![]() |
if its mostly down to the drum sound then its mostly down to the drum kit itself.
a beefy sound will only be possible if the kit is sounding good itself (may sound obvious but you would be amazed how many people will spend cash on guitar strings etc but totally overlook how the drums sound.) buy fresh heads and make sure they are played in / stretched before you start recording (or else the sound will change throughout the day) also listen carefully to the sound of the drums before there are any mics near them and make sure you like the sound of them. beg/borrow/steal a decent set of cymbals too. if they sound good then its down to the engineer to transfer that to the tape. |
|
|
|
|
|
#6 (permalink) |
![]() ![]() |
as much of that will be taken into account as money can afford. been saving for new cymbals but an un-expected holiday opportunity came up and delayed that a few months.
bringing it down to detail a little more....the bass drum: i have a double bass pedal with a double headed hammer. one side padded one side.....un-padded. want that clicky, sharp, short kick sound. ah-la five minutes alone. i know im not going to get near that but as close as' would be good. any tips. also, whats the best way to convey this to an engineer who's probably recorded another ten bands that month and is more than likely a little bored of the whole process? p.s, any comparison tips? what was bad/good about the last recording? |
|
|
|
|
|
#8 (permalink) | |
![]() ![]() |
Quote:
ih, .... and i agree. |
|
|
|
|
|
|
#9 (permalink) | |
![]() ![]() ![]() |
Quote:
I'm assuming it will be Paul who does engineer your recording, and he's an entirely approachable and friendly chap. Just explain to him exactly what you want, and I'm sure he'll do everything he can to help you make it sound right. And...if you agree that everything to come out of Captain Tom's sounds 'fucking gash', why on earth did you book recording time there? |
|
|
|
|
|
|
#10 (permalink) | |
![]() ![]() ![]() |
Quote:
ZeromiserY- the things you are wanting from your drum sound will come down to micing and mic placment. i found that the Sure beta 91 give outstanding bass drum sounds, as i dont think toms will have this mic we will just have to wait till we get there to see what they have. |
|
|
|
|
![]() |
| Bookmarks |
| Thread Tools | |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Is a record deal all its cracked up to be? | Hogisbald | Music Discussion | 29 | 23-03-2006 17:16 |
| Recording for unsigned bands - help! | Savant | Music Discussion | 33 | 20-03-2006 12:41 |
| Ah well, I will try again (computer recording) | Hogisbald | Trading Post | 2 | 07-10-2005 20:56 |
| 2 questions for you about recording | Hogisbald | Musicians' Corner | 5 | 01-09-2005 14:42 |
| Live Recording | Flash@TMB | The Moorings Bar | 9 | 08-09-2004 13:51 |