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| | #1 (permalink) |
![]() ![]() ![]() ![]() ![]() | Is there any set process that the more experienced touring bands of aberdeen use to book themselves a small run of gigs. For example do you
I've previously tried to set up just a small run of say five gigs around Scotland and found it increasingly hard to have all the gigs tie in comfortably. How long should a band plan ahead for such a thing? It's not something i'd be madly into doing right now, but again it's always interesting to hear some feedback. austin |
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| | #3 (permalink) |
![]() ![]() ![]() ![]() ![]() ![]() | we take whatever slot in whatever venue is offered, unless it makes no sense whatsoever.
__________________ 21 NOV = CORRUPT ABSOLUTE + THRESHOLD SICKS + THRASHIST REGIME + STATUE OF MISERY 28 NOV = BACCHUS + EVIL DEMON THEORY + GABRIEL SYLAR + MATANUSKA 5 DEC = MAIDEN SCOTLAND + ACHREN + DOWNFALL (tix onsale soon) 7 DEC = INAME + SPYAMP + Y CHANGE COSTUME 12 DEC = SUPER SIX FUNK MACHINE + GHOSTS OF PROGRESS + GHOSTS IN THE ARCADE + COBRA KAI >> gig details here << > terror here < > MOORINGS PETITION - please sign? < |
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| | #4 (permalink) |
![]() ![]() ![]() ![]() | yep. Also, now especially, you really have to question whether it is actually worth touring for a more than a few days unless you have some national press coverage or some sort of big release to promote. All the stories of touring being the most fun you can have are true, but turning up to play an empty gig in blackpool filled with weird bands (i can't even be arsed describing how bizarre this one gig was) and not being paid and then the accomodation you were supposed to have doesn't exist and then having to drive somewhere whilst knackered, angry, cold and demoralised happens a lot. Unless you book properly. Playing empty gigs when you aren't getting a guaranteed payment is stupid, make sure you only play venues where you get contracts signed before so you can afford to stay on the road for mroe than a few days! You do pretty much have to take whatever you can get. Unless of course one of your mates happens to work for some music industry people and then they get you ridiculous touring support slots when you aren't very good at all. That makes it much easier! |
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| | #5 (permalink) |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Yeah, hoping for gigs that 'tie in comfortably' is an utter long shot and barely worth dreaming about until you're somewhat established. Driving around playing gigs with your friends all over the UK is great fun though. I'd recommend trying it, as long as you've got money to burn, a really neat haircut or something seriously good to flog musically (although even then, that takes a lot of work). |
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| | #6 (permalink) | ||
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | JJ, I like you and I like your band, but honestly, I really disagree with everything you have said here Quote:
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| | #7 (permalink) |
![]() ![]() ![]() ![]() ![]() | See i'd abseloutely love to go on a small run of gigs around scotland. Maybe even a little further south, maybe even a few gigs in Ireland or something. It would definintly be in a fun high spirited kinda way too but I obviously understand the hardships that can be faced. Are many venues generally recipient of contractually signing you if your a small touring band? On that matter how many of you guys have played a gig in Aberdeen contractually? I've never actually played one, it's always been the paul kef way of "here's some tickets, go make money for me". I'd really like to get in to contractually signing agreements with venues. |
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| | #8 (permalink) | |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Quote:
Good luck trying to find a (good) booking agent with no previous touring experience/label backing, etc. Also, I think most venues would tell you to fuck off if you asked for a contract in advance of a gig, if it's your first out of town shows, playing in (presumably) small venues to small crowds. Just ask for a guaranteed fee to cover petrol, take a print off of the email with you if you like. Never had any trouble with getting money when a guarantee has been agreed upon. I think you're maybe reading too much into touring, being that you're looking to play some shows in Scotland. I mean, playing in Dundee for example, you can be up the road in less than an hour after the gig, petrol costing £30ish. Even if you didn't get paid somehow, it's not really too much of a loss. | |
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| | #9 (permalink) | |
![]() ![]() ![]() ![]() ![]() ![]() | Quote:
The problem (as I see it) is that a lot of gigs are done as a hobby - any inspection by the taxman may see written contracts as proof of trade and therefore nail the promoter for taxes. If you notice, there's often very little in the way of a paper trail with small gigs - and I think this is somewhat deliberate. | |
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| | #10 (permalink) |
![]() ![]() ![]() ![]() ![]() ![]() | in all honesty, i find it easier to get gigs in sweden than in england... i wish there were more Moorings style "everything provoded, just bring yourseleves" style venues in the UK, where you're guaranteed a crowd, cash, bed, cheap beer, pizza and (if you're a Tyrant Lizard King) groupie slut...
__________________ 21 NOV = CORRUPT ABSOLUTE + THRESHOLD SICKS + THRASHIST REGIME + STATUE OF MISERY 28 NOV = BACCHUS + EVIL DEMON THEORY + GABRIEL SYLAR + MATANUSKA 5 DEC = MAIDEN SCOTLAND + ACHREN + DOWNFALL (tix onsale soon) 7 DEC = INAME + SPYAMP + Y CHANGE COSTUME 12 DEC = SUPER SIX FUNK MACHINE + GHOSTS OF PROGRESS + GHOSTS IN THE ARCADE + COBRA KAI >> gig details here << > terror here < > MOORINGS PETITION - please sign? < |
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