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![]() | "I think music ought to be free. People ought to be able to download any music for nothing. This would destroy the recorded music business and the marketing machine that goes with it - all that mediocre talent being constantly forced into our eyes and ears. It would stop. Good bands would still build up fans through word of mouth and genuine excitement about the music. They could make a living by asking their fans to contribute to the recording expenses and by playing live shows. I personally think that most artists would be financially better-off without the music business. Music would be better too" - Steve Hogarth, Marillion Wot y'all think of this quote? I 100% agree |
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| | #2 (permalink) | |
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Great music, great marketing, too greedy recently Cheers Stuart | |
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![]() ![]() | I agree with some parts, i.e there is allot more money in doing shows and gonig on the road BUT fans would NEVER pay studio time for their fav artists to record and they would NEVER help pay for equipment such as Digital desks, guitars, mixers etc also paying the producers and engineers. You can all say "I would !" but I bet if it came down to it you would NOT. Just my opinion on the matter, take it as you like Last edited by Drew DigiTek; 02-10-2004 at 02:12.. |
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| | #5 (permalink) | |
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Cheer Stuart | |
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| | #6 (permalink) | |
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"Mediocre talent"-this is from a member of Marillion, for fuck's sake! This from a band that sub-letted the Genesis Home Of Pseudo-Muso Wankery and made some of the most godawful music of the 80's. What about the complete overhaul of copyright law in this and every other country around the world, which, if the steps encouraged by Mr. Hogarth suggests were applied, would enable me to walk into Aberdeen Art Gallery tomorrow and remove anything I thought would look good on my bathroom wall? On the way back home, I might just stop off at Waterstones and pick up a few dozen bestsellers free of charge. As for profiting from live shows-unless you're Bono, Paul McCartney or Mick Jagger, tours and live gigs are promotional exercises to encourage product sales (current album/back catalogue), and are almost always loss-making. Right, that's enough for just now. | |
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| | #7 (permalink) | |
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Hogarth actually had a reputation from 2 bands before Marillion, a band called the Europeans and a band called How we Live. They were the first band to presell and finance an album via the fanbase and the internet allowing them to seek a distribution only deal with EMI and keeping complete commercial control. They were also amongst the first bands to finance a tour by the fans contributing, the 1997 US tour was completely financed by fans and the band themselves never made a penny from ticket sales, all the people who contributed to the tour fund got a signed Live CD from the tour. The only occasiona this was done befroe was by their ex lead singer Fish who presold a live album to help finance a US tour. They also hold the record for quickest music DVD release when 2 years ago they recorded a concert on the Friday and had the DVD pressed and for sale by the Sunday lunchtime. The band have been at the forefront of using new medium to sell themselves for years, they were amongst if not the first band to use Electronic Press Kits too, which are now commonplace amongst bands. You may not like the music, but the music they're producing now has little in common with Genesis and nothing wrong with wearing your influences on your arm for your first release, after that there was no similarity at all, they now have more in common with Radiohead (who were big fans and were listening frequently to the Marillion album Brave which they requested from EMI as a prerelease whilst recording OK Computer) than Genesis. The art of preselling albums is known throughout the music world now as 'doing a Marillion' and has been done by many bands including the Levellers, Toad the Wet Spriocket and a load of others. They are without a doubt one of the most innovatively marketed bands out there, and they have done a lot to help change the way the internet is used for the smaller bands. In this case i think Hogarth is being idealistic but to write off his opinions based on the fact he was with a band you don't think much of is a bit stupid seeing what they've achieved. Cheers Stuart | |
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| | #8 (permalink) | |
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Surely the issue is that artists should have the opportunity to reach a mass audience and have the resources to produce their best possible material. In an ideal world, sure, musicians would be able to distribute their wares on exchange for donations and goodwill, but it's not an ideal world. Free downloads mean less royalty payments for artists and less revenue for record companies. Artists that only have a small fanbase will struggle financially, and may eventually have to find another career path. Record companies will be forced further into the mainstream, and will be less willing to take risks on unknown artists. The Marillion solution works fine for them, but they have 20 years of publicity and record company funding behind them. What hope for the thousands of new acts hoping for a slice of the action? Kudos on your background knowledge of the band. They really aren't my cup of tea (as you probably guessed), but I do appreciate a bit of fannish geekism ![]() | |
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| | #9 (permalink) | |
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I totally agree with what you're saying for the most part, its easy for a band in Marillion's position to be idealistic. That being said Marillion only had 10 years of record company backing, but thats 10 successfull years with EMI, more than most bands could dream of. I agree completely in that i think its the way to go for established artists but not for up and coming bands. The naievity of Hogarth in this is actually very surprising to me. I see the same thing here every day with bands who state they will neve sign to a major because they're evil; you're only as evil as the contract you choose to sign and the fact that they may take half your money for 10 years but they will then allow you to have a career for another 10 or 15 that you wouldn't have had if you were a small pub band. I am a big fan of the way Marillion's marketed themselves and i know a lot about them, Jo supported them, and then when she did the European tour with Hogarth's solo band I got to tag along. Tehir markeeting manager Lucy is a good friend of mine, and in general they do a superb job, just occasionally imho get a bit too greedy. Undoubtedly a good model tho on a mid sized band running your music as a business and self management. Cheers Stuart | |
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