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[chilli]

interesting music are delighted to announce another ::synergy:: night
for your delectation, featuring an artist playing his debut event in the UK
with a supporting cast of top notch quality:-

::synergy::
Friday 1st April 05
The Tunnels
Carnegie's Brae
Doors 8.00pm
Entrance £5.00 Students £4.00

featuring
aMute
East of Insanity
age of wire & string
visuals siv
dj eclectic

aMute (belgium – intr-version)
every so often a work of unparalleled beauty and maturity masquerades as a debut. aMute is apparently a new artist but his accomplished and visionary sound has already coined comparisons to some of the greats. aMute is belgian artist jérôme deuson. you may have had the pleasure to hear his astonishingly beautiful track, lifted from his wonderful debut album on mitchell akiyama’s intr-version imprint, on last months ‘wire’ magazine cd. deuson operates within the same field of sound as guitar sound-form experimentalists akira rabelais, fennesz, mogwai, GYBE and keith fullerton whitman (all of whom he has opened shows for). imagine the temperamental melodic drone-like work of fennesz, halfway between his cool vibed 'hotel paral.lel' and the warmer waters of 'endless summer' and you’re in the right ball-park. we’re bringing aMute all the way over from belgium for this, his debut gig in the uk... it’s going to be pretty magical.

www.amute.net
www.intr-version.com
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East of Insanity
Although inspired by middle-eastern influenced soundscapes, tonight expect much scary looping, ebowing, screeching and haunting Fripp type sounds designed to make you close your eyes........................and think, thank fxxk its Friday.

age of wire & string
and the icing on the cake comes courtesy of the magnificent ‘age of wire and string’. the trio combine live guitar and cello with winding electronics, taking the sensibilities and disciplines of improvisational jazz and sculpting them into a wonderfully textured arrangement reminiscent of the rune grammofon stable; truely lovely stuff.

Another eclectic night of entertainment.
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