Quote:
Originally Posted by Elwood Cobra Kai
I think quite the opposite - wouldn't you say that perhaps the reason it's shutting down is due to a upsurge of decent venues in Aberdeen? ie Tunnels and Moshulu? Two similar sized venues capable of attracting the same calibre of bands is bound to have taken a bite out of their profits, plus with Moorings and Drummonds having bands on eveynight, the days of just having Drakes and the Lemon Tree are well in the past. The kinds of gigs 'Shulu has been putting on in the last year or two have been shitting all over the LT.
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The thing is, the Lemon Tree is a far superior venue to both Moshulu and the Tunnels in almost every respect. In terms of comfort, service, accessibility, sound quality, cleanliness and atmosphere (on both busy and more relaxed nights) it beats both of them comfortably. What they've been lacking is the wherewithall to challenge other venues in terms of volume and quality of gigs due to their situation.
If the Lemon Tree were to be run as a business, along the same lines as Moshulu or The Tunnels, and didn't have to worry about their commitments to community programmes and workshops and experimental theatre and all the other loss-making projects it housed it would give them a serious run for its money.
I still believe that the loss of the Tree, even in its present state, will be a massive loss to the music community. It offers something that neither of the other two venues can, and that's a touch of class. Moshulu and the Tunnels are both grungy and very basic in terms of facilities. That's OK for folk like us, we're used to it, but the Lemon Tree often put on gigs that attracted a different, more, er, (diplomatic hat on)
respectable crowd than the usual Aberdeen gig-goers. I can't imagine seeing Chris Hillman, or Bert Jansch, or Odetta, or indeed anyone of that status in the folk/blues/jazz/country sector being staged effectively with the same sense of occasion anywhere in Aberdeen but the Lemon Tree. That's a very big market which is perhaps divergent from the Aberdeen music scene as we see it, but the loss of the LT will be keenly felt in those circles.